A short while ago, I sat down over a zoom call with the two masterminds behind a gorgeously shot 14 minute film that is a celebration and commemoration of Percy Bysshe Shelley’s poem, Ode to the West Wind. It is called “Human O.A.K.”. An actor, producer and director, the multi-talented Ulisse Lendaro is the Italian creative genius behind the film. Lendaro’s co-production partner is Jitendra Mishra, a producer who has already been associated with the production, distribution and promotion of more than 100 films in different categories in various capacities. Many of them have received worldwide acclamation and recognition in global film festivals. For me it was a thrilling and inspirational conversation that was at times philosophical and at times profoundly emotional. Afterwards, Ulisse wrote me to say that our call had “quenched a thirst in my soul”. I share that emotion. I was so inspired by this conversation and what Lendaro has accomplished that I decided to go far beyond a typical interview and delve deeper into the topics we discussed. I hope you will enjoy what follows and become as inspired as I was. Together we can change our world for the better.

Professor Michael O’Neill was a renowned poet and also one of the great modern scholars of Romanticism. No less an authority than Seamus Perry recently called him “one of our leading Shelleyan commentators.” He has died - at the dismayingly young age of 66. You can read the obituary published by the Keats Foundation here: This is a great loss and one which it will not be easy to recover from. In this, the third and final keynote of the Shelley Conference 2017, Professor Michael O’Neill takes us on an extraordinary excursion through Shelley’s prose.  Alighting on works such as A Defense of Poetry, On Life, Address on the Death of Princess Charlotte, A Philosophical Review of Reform, On Christianity, and Speculations of Metaphysics, O’Neill conveys a deep and abiding knowledge and love of his subject. He offers common sense, close readings which bring Shelley alive and illustrate what he calls Shelley’s "drama of thought". The first 15 minutes set the scene and once O’Neill hits his stride with a magisterial reading of An Address to the People on the Death of Princess Charlotte, we are comfortably in the hands of a master who takes us on a tour of Shelley’s metaphysical, polemical and religious ruminations.

In September of 2017 "The Shelley Conference" took place in London, England. It brought together some of the greatest Shelleyans alive, and it introduced to the world a new generation of young scholars brimming with interesting ideas about Mary and Percy. Carl McKeating is one of those young scholars. Carl introduces some startling insights into what and who shaped the impressions the Shelley's formed of Mont Blanc and its environs. Those impressions were to influence some of the most important literature in the western canon: Percy's poem, Mont Blanc and Mary's novel, Frankenstein. Please join Carl for a thrilling, insightful 20 minute excursion to Chamonix in 1816!

In September at the London Shelley Conference 2017 I had the pleasure of listening to an expert, Professor Tom Mole, speak about one of my favourite subjects: what Victorians thought of Percy Bysshe Shelley. This is actually an extremely important question, because what the Victorians thought about Shelley set the tone for succeeding generations of readers and critics. They played a crucial and controversial role in the transmission of Shelley's poetry to the modern era. Professor Mole has done Shelleyans a great service.

In this, the third and final keynote of the Shelley Conference 2017, Professor Michael O’Neill takes us on an extraordinary excursion through Shelley’s prose.  Alighting on works such as A Defense of Poetry, On Life, Address on the Death of Princess Charlotte, A Philosophical Review of Reform, On Christianity, and Speculations of Metaphysics, O’Neill conveys a deep and abiding knowledge and love of his subject. He offers common sense, close readings which bring Shelley alive and illustrate what he calls Shelley’s "drama of thought". The first 15 minutes set the scene and once O’Neill hits his stride with a magisterial reading of An Address to the People on the Death of Princess Charlotte, we are comfortably in the hands of a master who takes us on a tour of Shelley’s metaphysical, polemical and religious ruminations.