In April of 1888, Eleanor Marx and Edward Aveling delivered a Marxist evaluation of the poet Percy Bysshe Shelley to an institution known as “The Shelley Society”. Composed of some of the giants of the Victorian literary community, the Society undertook research, hosted speeches, spawned local affiliates, republished important articles and poems (some for the first time!) and even produced Shelley’s The Cenci for the stage. But the Shelley Society was also a vehicle seemingly designed to obliterate Shelley’s left-wing politics. This article examines why the Shelley Society came into being and how it influenced the reception of Shelley for generations to come. Go behind the scenes with me as Eleanor Marx battles the forces of the male, bourgeois, Victorian literary establishment.
Shelleyana!! My Father's Shelley, Part Two
Shelley had an enormous impact on me and my dad's life - though we had radically different ideas about exactly who Shelley was (which was the subject of part one of this essay). I want to explore this theme by digging into a photographic album I discovered among my father's effects after he died. It is a slim volume entitled "Shelleyana". I think we will find much to reflect upon, and Shelley may perhaps seem less remote and more immediate.
My Father's Shelley; a Tale of Two Shelleys
My father’s Shelley, as I VERY quickly discovered, was very different from mine. He loved the lyric poet. He loved the Victorian version. He loved Mary’s sanitized version. In a weird way he bought into Mathew Arnold's caricature of Shelley (“a beautiful and ineffectual angel, beating his wings in a luminous void in vain.”) – and loved him the more for it. He hated the idea that Shelley was a revolutionary.